Over the next seven days, I hope to catch/record these tempting TV/radio broadcasts:
Thurs 1 May
Mon 5 May
(1/5, continues Tues-Fri)
Thurs 1 May
Mon 5 May
(1/5, continues Tues-Fri)
Last weekend’s trio of Van Morrison features on BBC Four, an all-too-rare appearance by the Ulsterman on the grown-up TV channel, was a mixed bag.
The main event, a live show performed in February at LSO St Luke’s for the BBC Four Sessions series, promoting the new album, showcased Morrison the peerless live musician as he is today.
With an accomplished 11>13-piece band, he showed how he’s still cutting it as a great performer. Improvisation has always been his calling card, and the scatting, swing and dynamics of this performance were exquisite.
The artistry was most evident in benchmark performances of three varied classics – I’m Not Feeling It Anymore, Vanlose Stairway and Help Me.
But stirring performances of the new material couldn’t rescue it for this viewer: reverence for the bulk of the magnificent Morrison catalogue is matched by disdain for most of the material recorded since Back On Top, most of Keep It Simple, the new album, included.
Van Morrison on Later … was a compilation of weak clips from three shows, in 1999 and 2005. Of the six tunes, only a stirring Philosopher’s Stone, was memorable.
BBC Four then pulled a fast one with its third programme, the 60 minute Van Morrison at the BBC, by including all six clips already seen on Later… . A great pity, because the rest of the songs, notably And The Healing Has Begun, from Saturday Review of November 1986, were beautiful performances of great songs.
Occasionally, in all three programmes, I pondered: “why on Earth did I kick my two-gigs-a-month Van habit?” The post-Millennium material peppering all three supplied a ready answer.
Gerry Smith
These are exciting times for fellow fans of Manc contrarian Mark E Smith (main man in The Fall).
* Today sees the launch of Imperial Wax Solvent, which has been attracting rave reviews –“best in years”…
* Wednesday: free gig (1900) at HMV, 150 Oxford Street, just east of London’s Oxford Circus, sponsored by music monthly MOJO: for details check out
* and an important new approved biography, Renegade – The Lives And Tales of Mark E Smith, has just been published.
In-depth interview in:
And lengthy extracts in:
Gerry Smith (no relation)
Bjork established herself as a leading talent fifteen years ago, with her debut release, Debut. Her elliptical lyrics, exploring the big themes and her richly eclectic musicality – shifting effortlessly between dance beats and roots, Minimalism and jazz, as well as knowing pop and artrock – have long marked her out as a precious musician for grown-ups.
Her six studio albums reveal a restless, morphing creativity. The first four are filleted on Greatest Hits, which repays repeat listening and careful scrutiny – every home should have one.
So Tuesday’s Plymouth gig, on the short English leg of the Volta tour, was approached with keen anticipation: a rare chance to check out the poster girl of grown-up pop at first hand.
Bjork didn’t disappoint.
Her 90-minute show was superlative performance art. Interspersing Volta songs with classics from the back catalogue, Bjork treated the largely local audience – there were few signs of travelling hardcore in this far-flung location – to a spectacular show.
The trademark vocals, ranging from intimate whisper to banshee howl, delivered the idiosyncratic songbook with a consistent force. From the opening bars, when she bounded onto stage like a dervish possessed, to the soaring finale when she led the West Country choir in “Declare Independence!”, she acted out her unique catalogue in dance as well as voice.
In a lifetime’s gigging, you’d be lucky to see a more energetic, more committed performer.
The show was an ambitious, complex theatrical production, with three keyboardists, a drummer and a horn section of 10, the Wonder Brass (nice touch, that). Plus costumes, flags, emblems, fire, laser show, confetti storm … the circus was in town …
Bjork’s Plymouth show sounded and looked fabulous. But it all meant something, too. Working out what, exactly, will provide hours more fun.
Musicality, originality, ideas, ambition, execution, charisma… the gel’s got it all.
Gerry Smith
Over the next seven days, I hope to catch/record these tempting TV/radio broadcasts:
Wed 23 April
(3/5, continues to Fri)
2230 Natalie Dessay, Artist Focus – BBC Radio 3
(3/4, continues Thurs)
Thurs 24 April
1050 Callas, Pagliacci, Classical Collection – BBC Radio 3
Fri 25 April
0050 Portishead in Portishead, C4
2200 Van Morrison, BBC Four Sessions
2230 Wes Montgomery, Jazz Library – BBC Radio 3
2300 Van Morrison, archive footage from Later – BBC Four
2335 Eric Burdon and Marshall Chess, Later – BBC2
Sat 26 April
1830 Opera On 3, Live from the Met, La Fille du Regiment, starring Dessay and Florez, the best opera you’ll hear all year – BBC Radio 3
1900 Icons Revisited – Prince – BBC Radio 2
Sun 27 April
2250 Van Morrison, BBC Four Sessions (rpt)
ALTERNATIVE SELECTION: on air in the next seven days
… thanks to compiler Mike Ollier:
Radio For Grown-Ups
Not Music, But We Like It
Congrats to the wonderful Gavin And Stacey on winning two BAFTA Awards ~ and don’t forget HIGNFY on Friday at 9, or on Saturday in the extended programme.
Thanks to Bernard McGuinn for supplying this list of the DVD Extras. They’re welcome, though such an impressive movie hardly needs extras – it’d fly off the shelves without them anyway:
– Deleted Scenes with Optional Commentary
– Audio Commentary with Director Todd Haynes
– Premiere Featurette
– The Making Of I’m Not There
– Subterranean Homesick Blues Music Video
– Audition Tapes – Ben Whishaw and Marcus Carl Franklin
– Gag Reel
– Conversation with Todd Haynes
– Making of the Soundtrack
– Dylan Filmography
– Dylan Discography
– New York Times Article on the Film, by Robert Sullivan
– Lyrics
Gerry Smith
I usually avoid HMV these days – too expensive – and have warmed to Zavvi since it was bought out from The Bearded One.
But … HMV’s current sale has a tempting offer on the Radiohead albums box:
Radiohead – Album Box Set: 1993 – 2003: Deluxe: 7cd: Ltd
HMV 15/04/08: Was £55.00 Your saving £25.01. CD £29.99, free delivery
Radiohead
Release date: 10-12-2007
Availability: in stock
Number of Discs: 7
Catalogue Number: 5172292
Label: PARLOPHONE
On 10th December Radiohead are releasing a limited edition deluxe 7-CD box set collection of all their Parlophone albums from 1993-2003. Each CD within the box will be re-packaged in a digipack sleeve featuring original artwork and booklet.
The first six albums Radiohead recorded for Parlophone are collected in this box set, charting the band’s journey from the indie rock chancers of ‘Pablo Honey’ to the seasoned experimentalists and political commentators of ‘Hail To The Thief’. In between we see the band’s incarnations as prog revivalists on ‘OK Computer’ and chart-friendly emotional giants with ‘The Bends’. Also included is the 2001 live recording ‘I Might Be Wrong’ which notably features the unlikely live favourite ‘Idioteque’ from ‘Kid A’, perhaps their most experimental release. Radiohead’s is a difficult career to summarise, but this completist option is possibly the most rewarding choice.
Radiohead burst onto the Britpop scene in the early 1990s with a clamorous, post-U2 take on guitar rock, buoyed by the hit “Creep.” They subsequently developed their songwriting and production skills on THE BENDS and achieved iconic status with their breakthrough album OK COMPUTER, making art-rock cool again in the process. The mercurial band’s long-awaited follow-up three years later was a sharp left turn full of ambient electronics and Can-like sonic deconstruction, and they’ve continued the trend with subsequent albums and solo projects. The connecting thread through all the band’s phases has been Thom Yorke’s intense vocal frenzy.
track listing
disc 1
1. You
2. Creep
3. How Do You
4. Stop Whispering
5. Thinking About You
6. Anyone Can Play Guitar
7. Ripcord
8. Vegetable
9. Prove Yourself
10. I Can’t
11. Lurgee
12. Blow Out
disc 2
1. Planet Telex
2. Bends
3. High And Dry
4. Fake Plastic Trees
5. Bones
6. Nice Dream
7. Just
8. My Iron Lung
9. Bullet Proof…I Wish I Was
10. Black Star
11. Sulk
12. Street Spirit (Fade Out)
disc 3
1. Airbag
2. Paranoid Android
3. Subterranean Homesick Alien
4. Exit Music (For A Film)
5. Let Down
6. Karma Police
7. Fitter Happier
8. Electioneering
9. Climbing Up The Walls
10. No Surprises
11. Lucky
12. Tourist
disc 4
1. Everything In Its Right Place
2. Kid A
3. National Anthem
4. How To Disappear Completely
5. Treefingers
6. Optimistic
7. In Limbo
8. Idioteque
9. Morning Bell
10. Motion Picture Soundtrack
disc 5
1. Packt Like Sardines In A Crushed Tin Box
2. Pyramid Song
3. Pulk/pull Revolving Doors
4. You And Whose Army
5. I Might Be Wrong
6. Knives Out
7. Morning Bell/Amnesiac
8. Dollars And Cents
9. Hunting Bears
10. Like Spinning Plates
11. Life In A Glasshouse
disc 6
1. National Anthem [live]
2. I Might Be Wrong [live]
3. Morning Bell [live]
4. Like Spinning Plates [live]
5. Idioteque [live]
6. Everything In It’s Right Place [live]
7. Dollars And Cents [live]
8. True Love Waits [live]
disc 7
1. 2+2=5
2. Sit Down Stand Up
3. Sail To The Moon
4. Backdrifts
5. Go To Sleep
6. Where I End And You Begin
7. We Suck Young Blood
8. Gloaming
9. There There
10. I Will
11. Punch Up At A Wedding
12. Myxomatosis
13. Scatterbrain
14. Wolf At The Door
Gerry Smith
Bjork’s English tour, which kicked off in Manchester on Friday, is attracting rave reviews, notably this in the Da1ly Telegraph:
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/14/bmbjork114.xml
Ms Gudmundsdottir has reportedly forsaken a greatest hits show in favour of an in-depth exploration of Volta, the current album. Which is exactly what a musician for grown-ups should do – greatest hits gigs are for adolescents (of all ages).
Watch this space – as I gear up for my first Bjork show, in Plymouth next week.
Gerry Smith
Bjork’s starts her short English tour, in Manchester, tomorrow. She then plays seven more dates over the next three weeks. I’ll be reviewing the 22 April Plymouth show.
I haven’t seen the diminutive Icelander before, but she’s been a favourite on CD for years – her refreshing artistry marks her out as one of the leading musos for grown-ups of her generation.
BJORK’s ENGLISH TOUR, 2008
11 April Apollo, Manchester
14 April Hammersmith Apollo, London
17 April Hammersmith Apollo, London
20 April Hammersmith Apollo, London
22 April Plymouth Pavilions, Plymouth
25 April Civic Hall Wolverhampton
01 May Empress Ballroom, Blackpool
04 May City Hall, Sheffield
Gerry Smith
As expected, following Monday’s release of Shine A Light, the new Stones double CD, you simply can’t escape the Glimmer Twins: they’re all over the airwaves and the High Street.
As always when you get a new Stones product, Jagger& Co are dominating the media agenda and on this occasion they’re aided and abetted by the powerful Scorsese publicity machine.
I’ll be attentively recording/watching the promo, Rolling Stones: Shine A Light Movie Special on ITV1 at five past midnight on Saturday/Sunday night.
But I think I’ll give the new album a miss, even at the £10 supermarket price. I know from experience that it’ll be available at £5 in six months time. There’s nothing on the new release shouting “buy me, now”. And I’ve already got eight official live Stones albums – more than enough.
Album tracks:
Jumping Jack Flash
Shattered
She Was Hot
All Down The Line
Loving Cup (with Jack White)
As Tears Go By
Some Girls
Just My Imagination
Faraway Eyes
Champagne And Reefer
Tumbling Dice
You Got The Silver
Connection
Sympathy For The Devil
Live With Me
Start Me Up
Brown Sugar
Satisfaction
Paint It, Black
Little T and A
I’m Free
Shine A Light
Gerry Smith